Warning! Spoilers Throughout
“Sightseers” has permanently altered my view on the Caravan holiday. In Britain the Caravan trip is widely viewed as a piss poor excuse for an adventure often reserved for families of the suburbs and the elderly; over here no Caravaner is safe from public ridicule. Thanks to “Sightseers” I will now forever associate Caravaning with ginger bearded serial killers, Daily Mail readers and a dog named Banjo … or is it Poppy? Ben Wheatley has demonstrated a knack for blurring the lines between genres in his previous titles, but intertwining comedy and horror will have undoubtedly presented a fresh yet daunting challenge to the director and his screenwriters.
Although “Sightseers” is undeniably a black comedy (and a very dark one at that), the brutal violence and humor refuse to intertwine for so much as an instant. Obviously this has been done to dodge the issue of taking dramatic effect away from the severity of the murders, but I feel the juxtaposing scenes of horror and comedy infer that “Sightseers” is wrestling with an identity crisis of sorts. When compared to “Four Lions” – a superb example of British black comedy that also grapples the theme of mass murder – the absence of a connection between comedy and violence in “Sightseers” feels a little disappointing, perhaps more could have been done by Wheatley and the writing trio to mend the gap between comedy and horror as Chris Morris managed to with “Four Lions”.
In spite of its slightly confusing demeanor “Sightseers” remains comical in a charmingly witty and quirky British sense. Tina (Lowe) and Chris’s (Oram) meal at the roadside restaurant yielded the funniest moment in the film; Tina’s justification of Chris’s murders as being ‘green’ in the long run was a witty, satirical nudge at European obsessions with environmental security and the very British way of trying to justify absolutely everything.
The majority of “Sightseers” slander targets the inconsiderate and the self entitled that Chris possesses a strong taste for murdering. These detestable characters were very notably targeted in the incident with the Daily Mail reader and the dog poo where-in Chris openly expressed annoyance with the mans smug sense of self entitlement, before providing him with a long overdue bludgeoning. On discovering a copy of the Daily Mail in his bag Chris denounces the notion of him being a human, expressing Wheatley, Lowe, Oram and a majority of Britain’s current disdain for conservatives and the right wing without reserve.
The motives behind Chris and Tina’s murders are still debatable, despite the aforementioned focus of “Sightseers” jibes. Chris always seemed driven by his disgust for inconsiderate behavior and pompousness, the running down of the tram litterer in the first half of the movie cleverly signposted these motivations for slaughter to come in the latter half of the film.
On the other hand the reasons behind Tina’s murders are a little less straight forward. It could be argued that Tina – much alike Chris – murdered the bride on the basis of her inconsiderate behavior, but I’m convinced it was an act largely motivated by revenge. Moreover Tina managed to park the Caravan on top of a road side runner, and shove Chris’s new friend/business partner off of a steep cliff face whilst he lay encased in his hopeless Carapod contraption. The latter killing was seemingly brought about by Tina’s paranoia and distrust of Chris’s friend, but the murder of the runner was fueled simply by Tina’s demand for Chris’s approval. In light of Chris not satisfying her desperation for approval in the face of her whacking his new mate, Tina tricked him into launching himself off the Ribblehead to his death. I personally think she decided to dupe him because of his hypocritically self absorbed and inconsiderate behavior that you’ll have likely twigged in the latter half of the film.
I never found myself rooting for Tina or Chris, but their depth of character was the foundation for an engrossing and wholly original story that owes a lot of its worth to Lowe and Oram, who both formulated this brutally grim idea behind this dark as can be comedy, and acted out the key roles masterfully. The Director of Photography Laurie Rose delivered justice to the serenity of northern British countryside and the ancient architecture that lies within it through the regular use of picturesque establishing shots that were crucially important to maintaining the immersion in a story so heavily influenced by the locale of scenes.
Overall “Sightseers” is an ultimately enjoyable, must watch black comedy with an air of charming, off beat originality and a resonant moral message to British society: try not to be inconsiderate, and stop reading the Daily Mail – ginger serial killers hate it.
Please leave your thoughts in the comments!